Arrgh. I haven’t touched this blog for well over a year. Do people still blog, or has Facebook sharing become the digital medium for time-poor expressionism? We’ll see. I’ve got a few ideas for new posts so will make it a goal to do some old-style blogging in December. Stay tuned.
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Wednesday, November 23rd, 2011Back to the future
Wednesday, June 23rd, 2010I don’t want to begin another blog post with a “it’s been a long time since I posted” entry, but it has been a while; in each of the 5 preceding weeks I’ve had either an overseas trip OR a local trip (with at least 3 days out of the office) each week except for one. And that was the horrendous week we moved office.
The new location is shown below (Wordpress HTML willing); we’ve moved to a heritage-listed (circa 1877) building in Brisbane’s CBD, directly above a great coffee shop, and within spitting distance of three bike shops.
So far the reaction to the new site from the Locatrix team has been magnificent, and being in the CBD certainly has its conveniences. We’re holding back a more formal announcement of our move for July, when we’ll also unveil some new web and presentation material, but for now – having just returned from the AppsXChange Asia and Communicasia events in Singapore last week, I’m truly back to the future!
Rattlesnakes at the Powerhouse
Monday, November 9th, 2009I can now add another to the “artists I’d always wanted to see play live” list: Sue & I saw Lloyd Cole play an acoustic gig at the Brisbane Powerhouse on Saturday night, in what was a really enjoyable show. I was going to qualify Cole as being “lead singer of 80’s band The Commotions”, but was clear from his two hour set that there’s very, very much more in his repertoire and career than Rattlesnakes.
Played with a brief intermission – “Go get a drink, I’ll be back in 15 minutes” – the two sets were ostensibly divided into newer stuff (first set, with one notable exception) followed by a fair mix of old and new in the second set. The notable exception came just after he explained that “you’ll probably not know any songs in this first set”, just as he broke into a thoughtful rendition of Rattlesnakes, his monster hit from 1984.
Irony was clearly not lost on the man, as he went on to explain that he wasn’t so depressed these days, but carrying an extra 5kg gave him just the right amount of self-loathing to perform the melancholy melodies of his youth!
In the second set his well-crafted ballads were interspersed with cheers of recognition for Lost Weekend, Cut Me Down, Perfect Skin and other well-known Commotions songs. He seemed to be more comfortable in the second set, largely (we think) due to the absence of an unfortunately drunk female heckler who had interrupted parts of the first set. But a great show, a terrific venue, and an incredible artist and songwriter.
One final item of note: at the bar I was queuing next to Brisbane author Nick Earls, who I was later reminded wrote a novel entitled Perfect Skin – borrowed from, we believe, the title of one of Lloyd Cole’s songs, as befits the man who also borrowed a Go-Betweens title when he wrote Bachelor Kisses. I wondered if he’d ever met the sources of his inspiration, or was just, like us, anonymous admirers in a very contented audience?
The White Album Concert
Friday, August 7th, 2009When artists release an album (or a CD), its usually given a name. In 1968 the Beatles released a double album that was significant for its lack of a title, or any graphics other than the band’s name. It came to be known as the White Album, and we were at QPAC last night to see the sold-out White Album Concert, featuring Chris Cheney, Tim Rogers, Phil Jamieson and Josh Pyke.
Musical Director Stewart D’Arrietta performed a similar role when actor John Waters performed the Glass Onion shows a few years ago – a musical tour through the life of John Lennon, and he was clearly well qualified to put the White Album concerts together. The Beatles never performed the White Album publicly – legend has it they were barely on speaking terms through its recording, often working in different studios to complete it – and it took an impressive lineup (3 brass, 5 strings, 2 drummers, 2 keyboardists, 2 guitarists and bass) to recreate it musically last night. But what a sound. And vocally, Messrs Cheney, Rogers, Jamieson and Pyke alternated throughout the evening, combining for only Ob La Di and the encore (Revolution and Why Don’t We Do It In the Road).
Josh Pyke was a revelation – I’m not a fan but his solo rendition of Blackbird (he played the acoustic guitar parts) was superb. Jamieson was kind of non-descript, bringing a sort of faux “lizard king” theatrical presence to his songs. Tim Rogers is certainly one of a kind, and he was absolutely the most animated and theatrically engaging player of the night.
But Cheney….. Chris Cheney was superb.
Getting the good rock songs certainly helped, and his opening with Back in the USSR was insanely good. But three-quarters of the way through the first act (album) his rendition of While My Guitar Gently Weeps rightly earned a standing ovation. It was insanely good – vocally, and musically the guitar solo just blew everyone away. Eric Clapton was (uncredited) responsible for the original solo, and I think even he would have been impressed by how it was performed last night.
Rogers took Revolution in a faithful performance – all the instrumentation was faithfully brilliant – but none of his songs lifted the way Cheney’s did.
It made us wish that the Beatles themselves, somehow, somewhere, could have performed more of their work in a modern acoustic/technological setting. George Martin’s string and brass arrangements were brilliant, and performed superbly by the players on the night. Lyrically, musically, the Beatles were on their own. They blazed trails that have been the foundation of popular music as we know it. And just for a little while last night one could almost close your eyes and believe it was happening again for real.